Around The Web
a seriously high-class interior. Not faux classy. Not exaggerated or overdone, just nice materials, well arranged in eye-pleasing colors and textures
USA Today »
About that interior: It's good-looking, if perhaps too austere in the black-on-black guise of our test car; fortunately, warmer, richer two-tone combinations are available, and the plastics themselves are pretty decent.
Automobile Magazine »
The Buick's footprint falls between the shrink-wrapped Lexus IS 250 and larger Acura TSX, but its styling feels more anonymous than either.
Cars.com »
Most glaring is the small start/stop ignition button, which seems awkwardly wedged into the upper left corner of the console as if it were an afterthought.
Edmunds »
at least there aren't any dumb retro trios of portholes on the front fenders. That's because they're on top of the hood. Oh, Buick, really?
Automobile Magazine »
STYLING | 6 out of 10
Expert Quotes:
a seriously high-class interior. Not faux classy. Not exaggerated or overdone, just nice materials, well arranged in eye-pleasing colors and textures
USA Today
About that interior: It's good-looking, if perhaps too austere in the black-on-black guise of our test car; fortunately, warmer, richer two-tone combinations are available, and the plastics themselves are pretty decent.
Automobile Magazine
The Buick's footprint falls between the shrink-wrapped Lexus IS 250 and larger Acura TSX, but its styling feels more anonymous than either.
Cars.com
Most glaring is the small start/stop ignition button, which seems awkwardly wedged into the upper left corner of the console as if it were an afterthought.
Edmunds
at least there aren't any dumb retro trios of portholes on the front fenders. That's because they're on top of the hood. Oh, Buick, really?
Automobile Magazine
The Verano is somewhat related to the Chevrolet Cruze compact sedan, but shares virtually no parts--and no sheetmetal--with the Chevy. But like the Cruze, the Buick Verano looks like a big sedan, sized down.
At first look, it's the long, arching roofline that helps give the Buick Verano proportions that are closer to those of the smaller LaCrosse than a larger small car. Otherwise, the look is very conservative. The Verano's flanks have clean, flowing sheetmetal, with a subtle accent beltline; and the vertically straked grille, low hood and large, detailed headlamps (with hints of blue) call it out as a Buick.
Chrome has been overused as an accent in recent years, but Buick has (mostly) done it tastefully; we especially liked the light strokes of chrome that angle around the rear corners then angle downward toward the center in back. But as for the Buick 'ventiports,' which find their way again to the Verano's front fenders...we bet they're still going to be seen as a bit tacky by the younger, more affluent crowd the brand is trying to attract.
The Verano's look inside is quite swoopy and radical for a Buick, with beautiful two-tone themes and a high sill line that wraps around from the top of the doors all the way through the far front of the dash top. Door trim carries through the broad arcs of the dash, and matte-metallic trim looks classy, not garish, here. The small windows at the front of the front doors fit in stylistically, and help with visibility, too.
Conclusion
The 2012 Buick Verano looks conservative and understated, yet classy.